Archives January 2018

This week’s guest on the Imperfect Podcast is Jenny Frankfurt who is the founder of the Finish Line Script Competition currently in its third year. The Finish Line Script Competition is based on the premise that rewrites are essential to be a successful writer. The panel of judges provides development notes when requested in order for writers to rewrite and resubmit new drafts for free throughout the entire script competition.

Rather than submitting your script and hoping for the best, the Finish Line Script Competition acts as a partner to up and coming writers with feedback from their mentors that have worked in every aspect of the film and television industry. The competition essentially echoes the reality of the business. Writers that work for a studio or even sell a feature film based on their script will go through a number of rewrites based on criticism and feedback.

The Finish Line Script Competition is essential for any writer that wants honest feedback and takes their craft seriously enough to bring it to the next level.

Follow Finish Line Script Competition

• Website: http://finishlinescriptcomp.com
• Facebook: https://www.facebook.com/FinishLineScriptCompetition/
• Twitter: https://twitter.com/FinishLineScrip

Who is Jenny Frankfurt

• A literary agent and manager with her own company, Highstreet Management based in Los Angeles for many years
• Jenny went to NYU Film School but mainly about writing on the job
• Reading countless scripts and books she would break down scripts for talent agents
• All that experience led her to know what worked and what didn’t work

The Finish Line Script Competition Is Born

• After burning out on management Jenny wanted to continue working with writers
• There are many script competitions out there but they don’t provide notes until the very end
• Jenny wanted to do something that hadn’t been done before which included the rewrites and feedback from mentors
• Through her contacts she knew she access to a lot of talent to create the panel of mentors which proved to be valuable
• As a reader for other competitions she would often say “If only this person had gotten really good notes before entering the competition.”
• As writers submit new drafts they continue to work with the same script consultant on their rewrites

How Did You Get The Word Out About The Finish Line Script Competition

• Budgets were small and they used Twitter and Facebook to start spreading the word its first year
• Because of its unique twist and 25 mentors on board they received 300 submissions in year one
• In its second year the competition grew by 500%

What Type Of Scripts Are Accepted

• TV Pilots and Screenplays are both accepted
• Writers can submit and not ask for notes for a smaller fee
• Scripts that are over 135 pages there is an additional fee for notes
• Each script is read by 3 people so there’s a balance of taste

Have You Had Any Success Stories From Past Winners

• Last years winner was a TV Pilot called Sugarland by R.B. Ripley
• He’s taken over 30 meetings and now has a producer attached to the script

Who Are The Mentors?

• There are over 30 mentors this year from all over the world that mentor and take meetings with the winning writers.
• Steven Rogers – Writer/Producer of the award-winning film “I, Tonya” starring Margot Robbie and Allison Janney.
• Colin Vaines – Co-producer of “Film Stars Don’t Die in Liverpool” starring Annette Bening. Previously produced “The Gangs of New York” directed by Martin Scorsese.
• Michael Andreen – Producer, “Master & Commander“, “The Day After Tomorrow“.
• Karen Lunder – Senior Film Exec at Imagine Entertainment, Lunder recently oversaw production on the upcoming “The Spy Who Dumped Me” starring Kate McKinnon.
• Joey Chavez – Sr. VP, Original Programming at TNT (“Animal Kingdom”, “The Alienist”, “Claws”).
• Christine Conley – Director of Development, Working Title Television. Produced “Gypsy”at Netflix & “About a Boy”at NBC.
• Elaine Goldsmith-Thomas – President, Nuyorican Productions & Goldsmith-Thomas Productions who used to be Julia Roberts agent and now producers for Jennifer Lopez and Halle Berry.

Advice to Screenwriters

• This is your calling card and a way for people to know you
• Do you research and put the time in
• Your effort matters including the formatting on the page
• It lets people know you’re taking it seriously and that you put the work in

This week’s guest on the Imperfect Podcast is Kevin Gootee, creator and producer of the streaming series Comics Watching Comics available on Amazon Video. We talk to Kevin about everything from how he came up with the idea for Comics Watching Comics to what it takes to make the show available on Amazon Video. You may be familiar with shows such as Last Comic Standing but Comics Watching Comics takes things in a different direction featuring amateur comedians that Kevin and his panel critique and decide whether or not they have what it takes to make a living as a stand-up comedian.

We dive into what it takes to produce a streaming series for 5 seasons and the process of making it available on Amazon.  Kevin Gootee also has a number of ideas for more series based content that he’ll be unleashing in the near future.

Keep up with Comics Watching Comics

• Website: https://comicswatchingcomics.com
• Facebook: https://www.facebook.com/comicswatchingcomics/
• Twitter: https://twitter.com/comicswatching
• Follow Kevin Gootee: https://twitter.com/KevinGootee

Watch Season 5 of Comics Watching Comics on Amazon Video

What Is Comics Watching Comics

• Kevin Gootee started out as a stand-up comedian himself
• At an open mic, Kevin couldn’t believe how horrible it was and started texting a buddy about the performance
• In those texts of busting chops the idea for the show was born
• Kevin thinks Last Comic Standing is too nice to the performers and many aren’t newbies as the show might suggest
• Aside from being critical of the comedians, it’s really a show meant to promote comedy

Why Distribute Comics Watching Comics on Amazon?

• It was on YouTube first and then went to Amazon
• The numbers on YouTube were awful and the show has been on multiple streaming platforms
• Once in discussions with Amazon it was a no-brainer to move the show
• His goal is to bring the show to a wider audience
• Production requirements are insane but the most intensive process is close captioning that has to be 100% on point

What Does it Take to Produce Comics Watching Comics

• Kevin maximizes time by shooting 2 seasons in one taping of just the comedians for up to 5 hours
• The panelists shoot on two different days
• The first two seasons were comedians he knew well
• Seasons 2 and 3 he placed ads on Facebook
• For Seasons 5 the show was picking up steam, people were emailing him from across the country to be on the show
• Kevin watches submissions videos and chooses 25 comedians for each season of the show

Who are the Panelists

• The panelists are veteran comedians Kevin chooses each season
• Each new season the fans can choose which panelist they would like to see return
• Panelist Sean Lynch, creator of Celebrity Death Match on MTV, shares his story about Jay Mohr stealing his Super Friends joke in Season 4

The Future of Comics Watching Comics

• The move to Amazon added legitimacy to for the series
• Kevin would love to bring the show to cable or network telivision
• Kevin also has 3 other shows lined up for the future including Comics Watching Football, Licensed to Kill No Odd Job featuring comedians talking about different topics while playing Goldeneye on the Nintendo 64

Have more questions for Kevin Gootee and Comics Watching Comics? Leave them in the comments and we’ll get back to you!

Today’s guest is Robert Sciglimpaglia, an actor and accomplished voice over artist who is also a practicing attorney has been producing his own feature films as an Executive Producer. the past few years. We had the pleasure of meeting Robert at the American Film Market in 2017 where we spoke about film funding and film distribution. What we learn in today’s interview is that there is a delicate balance between financing, casting and distribution that may lead to the success of your next independent film.

In the early days, Robert hosted a local radio program back in the mid 1990’s called “The Law Show”, and more recently, hosted a radio show called “Ask the Lawyer.” Robert’s first venture into the acting field was a show called “American Experience: Hijacked!” which aired nationally on PBS-TV and was narrated by Campbell Scott. Since that time, he has appeared in numerous national projects with many big name stars, both in acting and voice overs. His latest project in post-production is an independent feature film, called One, featuring Lance Henriksen.

Follow Robert Sciglimpaglia’s Independent Film Projects

• IMDB – http://www.imdb.com/name/nm2215197/
• Website – http://www.robpaglia.com
• Twitter – https://twitter.com/robscig
• YouTube – https://www.youtube.com/user/robscig

Breaking into The Film Industry

• After working hard as a lawyer Robert, started doing voice over work about 12 years ago
• He took an adult education class for voice over acting to see if he even liked it
• From commercial work to animation, Robert has tons of street cred as a voice over actor
• Within 6 months of doing voice over work, he was doing on camera work as an actor
• Robert started taking acting classes and still takes classes to this day to perfect his craft
• From there Robert started producing his own films

Landing a Super Bowl Commercial

• Getting a phone call on the golf course led to his role in the Chevy Superbowl ad
• It was originally meant to be a spec ad for the London Film Festival but Chevy liked the ad so much they pulled it for the superbowl
• The commercial was voted as the #21 Superbowl ad in history!
• Robert’s big takeaway from the ad was “Whenever I do a job, I do it 100%. It doesn’t matter what kind of job it is…I want to work those people again.”
• Robert’s 2nd takeaway was “You never know where your project is going to go.”

Selling a Film at AFM (The American Film Market)

• One, a film recently produced by Robert for $50k was brought to AFM to find distribution and he succeeded
• The film features actor Lance Henriksen (Alien, The Terminator)
• Evan Evans also agreed to do compose the film score
• As an attorney, Robert advises filmmakers regularly
• “Figure out where you want the film to go and work backwards”
• Whether its to get financing, distribution or even go to festival know what your goals for the film are
• Anything you can do to generate buzz from getting a named actor for cameos or a composer to score the film
• Genre is something you should research to see what types of films are selling

Getting Film Distribution Contacts

• The most important thing a filmmaker can do is put their project up on IMDB even before you make
• Adler and Associates Entertainment, distributors for Robert’s movie One, found his project because actor Lance Henriksen was attached
• Lance is popular in foreign sales and sci-fi and Robert had worked with Lance before
• Making contacts is more about what you can do for them
• While at AFM Robert also found funding for a second film through Bitcoin Film Funding

Have more questions for Robert Sciglimpaglia? Leave em in the comments and we’ll make sure he gets back to you!

This week’s guest on the Imperfect Podcast is Director, Fran Strine who created the music documentary Hired Gun now available on Netflix. Fran captures the stories of the music industries elite musicians who are only “20 feet from stardom” yet rarely receive credit for their work. Featured in the documentary are Alice Cooper, Rob Zombie, Liberty DeVitto (Billy Joel), Ray Parker Jr. (Ghostbusters), Rudy Sarzo (Quiet Riot), Jason Newsted (Metallica) and dozens more.

Fran Strine talks with us about his passion for music and why telling this story was important. As a touring music photographer for bands like Staind, Nickelback, Shinedown & Seether he lived alongside some of the greatest musicians in the world. From finding investors to shooting 2 years of footage to having the music produced at Skywalker Ranch this interview is both inspiring and educational for filmmakers looking to break into the documentary world.

Hired Gun worked so well as a documentary because someone like Fran was so passionate and dedicated to the story and seeing the vision through to completion. There is no substitute for hard work when it comes to making a documentary of this magnitude and with the caliber of talent that was involved on and off screen.

Watch Hired Gun

Fran Strine Interview Highlights

The Motivation for Filming Hired Gun

• Fran Strine was a touring music photographer for years
• After being on the road for 20 years and ready to take a break, Five Finger Death Punch made him an offer he couldn’t refuse
• When the tour wrapped, Fran was about to turn 50 years old and he decided to take his chances and make a film
• He had no formal training as a photographer or videographer, just a lot of hard work and dedication

Getting started in Film

• Fran was the photographer for the Tattoo the Earth tour in 2000 with a bunch of metal bands
• He happened to bring a video camera with him and started shooting the bands live
• While in Atlanta with Sevendust the head of A&R approached him about doing a Bonus DVD for the making of the album
• Fran took the upfront money they gave him, bought a camera, a Mac and Final Cut for Dummies which is how he launched his film career
• That led to more music videos

Battlefield of the Mind

• In 2012 Fran filmed Battlefield of the Mind
• A documentary focusing on homeless Veterans that suffer from PTSD.
• How can this happen in the wealthiest country in the world?
• What can we do as citizens?
• That’s what this film explores.

Hired Gun: Concept to Production

• Fran had seen 20 feet from stardom and it really touched him
• He knew there was another story there and was aware of the “hired gun” from touring with musicians for 2 decades
• After making a sizzle reel, he found an investor who was a good friend he met through Battlefield of the Mind
• The budget was less than $1 Million
• Production on Hired Gun lasted 2 years while waiting for musicians to come off the road

How Do You Tell A Cohesive Story With So Much Footage

• Fran’s goal was to get the best stories from everyone involved
• The first musician he reached out to was Liberty Devitto because he couldn’t believe his story as Billy Joel’s drummer was real
• After interviewing Rudy Sarzo Fran knew he’d be a big part of the documentary
• In total, 65 musicians were interviewed to make Hired Gun
• Gavin Fisher was the editor on almost 90% of the film

Music Licensing for Hired Gun

• Julie Glaze Houlihan was the music supervisor responsible for clearing the music
• There are two sides to licensing a song
  • Publishing rights that belong to the song writer
  • Master recording that belongs to the record label
• Donald Fagan and Walter Becker gave us permission to use a Steely Dan song however the record label denied us
• Jay Gradon was brought in to re-record the guitar solo from Peg just for the documentary on the same guitar and amps used on the original recording

Assembling the Ultimate Jam Band

• Everyone in the band was interviewed for Hired Gun
• All of the musicians happened to be in town for NAMM that weekend
• One day of rehearsals and 3 days at the studio
• It was a nightmare to assemble but there were no egos and watching it live gave Fran chills

Distributing a Music Documentary

• We didn’t have a distributor going into the world premiere at SXSW
• Vision Films setup Hired Gun a screening at over 300 theaters nationwide
• In August of 2017 we launched on VOD and then received worldwide distribution working with Sony
• The Netflix deal came early on after a screening at the SOHO House

Mixing Audio at Skywalker Ranch

• Spending two weeks in Los Angeles to mix the film was not appealing
• On a whim, Fran sent an unsolicited email to Skywalker Ranch with the sizzle reel and synopsis
• The response from Skywalker Ranch was “Can we submit a bid?” which shows how much they believed in the project

For Fran Strine, he accomplished everything he had hoped for Hired Gun elevating his career to the next level. We wish Fran much success in his future endeavors. Have more questions for Fran? Leave them in the comments and we’ll make sure answers them.